Check out my Braiding Sweetgrass book summary and Review that I created to help you understand the basics of this great book. Breeding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants is a 2013 nonfiction book by Potatoatomy Professor Robin Wall Kimer,

Which is about the role of indigenous knowledge as an alternative or complementary method to the Western mainstream scientific method. Breeding Sweetgrass explores the interrelationships between people and land, with a focus on the role of plants and botany in both Native American and Western traditions.

 The book received rave reviews, appearing on several bestsellers. Robin Wall Kimer is best known for his scholarship on traditional environmental knowledge, anthropology, and algae ecology.

Braiding Sweetgrass book

Braiding Sweetgrass book summary :

Breeding Sweetgrass: Indigenous knowledge, scientific knowledge, and plant education in relation to botany and Native American heritage. Kimar, a registered member of the Citizen Potatoatomy Nation, writes about his personal experience working with plants and reconnecting with their people's cultural heritage. He also presents the history of plants and botany from a scientific point of view.

The five-section series of essays begins with "Planting Sweetgrass" and progresses through "Tending," "Picking," "Breeding," and "Burning Sweetgrass." Environmental Philosophy states that this advancement of titles "serves as a determinant not only of Kimmer's book as a natural history, but also of ceremonies, the latter of which plays a decisive role in how the cameraman came to know the living world."

Kimara describes Breading Sweetgrass as "the braid of the story ... woven from three strands: the indigenous way of knowing, the scientific knowledge, and the story of an uninhibited Way scientist trying to bring them together for the most important things." He also called the work a "combination of science, consciousness and storytelling." The American Indian Quarterly writes that Breading Sweetgrass is a book about traditional environmental knowledge and environmental humanity.

Kimara combines his training in Western scientific methods and his Native American knowledge of sustainable land stewardship to describe a more enjoyable and environmentally friendly way to use our land in Breeding Sweetgrass.

"I wanted readers to understand that both indigenous knowledge and Western science are powerful ways to know, and that by using them together we can imagine a more just and joyful relationship with the earth," said Kimara's book. , Pecan and named sweetgrass. He described the book as "an invitation to celebrate the gifts of the world."

Braiding Sweetgrass book Review :

A skilled writer who has imparted knowledge about the natural world to both indigenous people and an academic scientist.

"This braid is woven from three strands," writes Kimer, a registered member of the Citizen Potatoatomy Nation. The book, a 2013 essay by a local folklore author, is reprinted here with new illustrations and designs, a handsome production that serves its catchy text well, which will be of interest to readers in school in the author's work.

 As Wendell Berry, Leslie Marmon Silco and Joy Harzo. Believing in Anishinabe, Kimer writes, Sweetgrass was "born first on earth," a constant reminder of a creator named Skyman. It plays a sacred role, and represents an important element of what the author describes as the "global ecosystem", which speaks of the possibility of positive interaction between humans and the natural environment, a welcome hope in the face of all our hostile examples. .

Destructive effects. To reconsider that possibility it is necessary to go to the first policy. As Kimara writes, the English word bay is a noun that encloses a natural thing in a fixed section, best preserved for dead things, whereas the word wizwegama, wikwegama, converts the concept into a verb meaning "to be a bay," "release water." From and let it live. "

Indigenous knowledge guides those who seek healthy relationships with those around them in a variety of ways. Kimara writes of a teacher who instructs us to walk in such a way that "every step is a salute to Mother Earth" when the terrifying monster called Windigo speaks metaphorically about our need to eat: "The more Windigo eats, the more violent it can be."

A smart, subtle overlay of different systems of thought that together teach us to be better citizens of the world.

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