Check out my Normal People Sally Rooney book summary and Review that I created to help you understand the basics of this great book. Normal People is a 2018 novel by Irish author Sally Rooney. This is his second novel to be published after Conversations with Friends (2017).

It became a best-seller in the United States, selling nearly 64,000 hard copies in its first four months of release. An adopted television adaptation aired since April 2020. The French translation was published on March 4, 2021 by Éditions de l'Olivier1.

Normal People Sally Rooney book

Normal People Sally Rooney book summary :

The novel follows a complex friendship and relationship between two teenagers, Connell and Marianne, both of whom attended County Sligo in Ireland and later Trinity College Dublin (TCD) in the same secondary school. It is set during the post-2008 Irish economic downturn, extending from 2011 to 2015.

Connell is a popular, handsome, and highly intelligent high school student who begins a relationship with the unpopular, intimidating but equally intelligent Marian, whose mother hires Connell's mother as a cleaner. Connell hides the matter from school friends out of shame, but joins and reunites with Trinity after the summer.

 For the first time in her life, Connell is struggling to cope with her peers. The pair continue to weave in and out of each other's lives throughout their university years, creating an intense bond that illuminates the trauma and insecurities that make them both.

The general public has received widespread praise from critics. The novel was long nominated for the 2018 Man Booker Prize. It was voted the 2018 Waterstones' Book of the Year [8] and won the "Best Novel" award at the 2018 Costa Book Awards. In 2019, the novel was long nominated for the Women's Award for Fiction.

That same year, the novel was ranked 25th on The Guardian's list of the 100 best books of the 21st century. The Irish media described the book as controversial, with Rooney describing himself as a Marxist and discussing The Communist Manifesto document and Doris Lessing's feminist novel The Golden Notebook.

Entertainment Weekly authors ranked the book as the 10th best of the decade, with Seja Rankin writing, "Sally Rooney's two novels capture the millennial principle with honesty and impeccable insight.

Normal People Sally Rooney book Review :

Sally Rooney's new novel, Normal People, recently appeared in a Vanity Fair spread, "The Best New Books of the Season and Must Have Bags to Hide". In the photo, it's a lovely highlighter yellow (Price: $ 595) leaning confidently against a Mansour gavriel tote bag. The person who owns this combination of things will be rich, tasteful and smart, the person who has a well-paying job (creative director? Brand consultant?) Who still has time to read novels and carry a plain yellow purse to have lunch with friends , Which ordinary people also read and like.

Rooney is a self-proclaimed Marxist, and I doubt he would enjoy a vivid illustration of the Vanity Fair, in which he showed the general public how books can serve as cultural currency.

"It was culture as a class performance," recalls a character in a text, "literature was revealed for its ability to take educated people on a falsely sensitive journey, so that they may later feel superior to uneducated people whose emotional journey they like to read." "

While Rooney's characters have a strong contempt for capitalism and its traps, it's easy to see how ordinary people can get bogged down in handbag slideshows. In Rooney's novels, politics is often not clear but ambiguous.

Drowning under the surface of a love story, as Rooney writes, "two people who, for several years, apparently couldn't leave each other alone," Marion and Connell, who spent four years following and withdrawing from each other alternately.

One critic recently noted that the politics of Rooney's novels were largely "suggestive", with aerial references to Gaza or austerity protests but not very basic material. Another suggested that his politics were largely rhetorical, "setting more than subject." I do not agree.

I don't think Rooney has politicized his love story. He embodies politics intimately and rigorously in love stories, showing how relationships can work as small states and how political principles can work on close scales, in interactions of two, three or four people.

In interviews, Rooney often talks about growing up hearing his parents say, "From everyone, according to his ability, according to his need," and absorbs it as if it were a universal rule, something Jesus could have done. Said, or as one interviewer at The Cut said, one could embroider on a pillow.

In ordinary people, the characters have different things at different times: money, social capital, appearance. The novel suggests the possibility of a setup where these benefits are shared and redistributed as needed. Call it Marxism of the heart.

Love is a common theme in novels throughout the class. Jane Austen, obviously a model for Rooney, people are fixed on their status, or can go one way or the other: a lowly person (Elizabeth, in Pride and Prejudice) marries a high-ranking person (Darcy), or a lowly (Wentworth) , In probation) to earn in a high bracket (aner).

But what Rooney has is something different a seismographer's focus on the decline and vibration of social values, as British author Olivia Laying writes, “Beauty, intelligence, and class are currencies that fluctuate unexpectedly, like the pound and the dollar. "

At the beginning of the novel, when the characters are in high school, Connell's stock is high. Marian is rich, and, yes, Connell's mother cleans her house, but she's isolated and weird, someone who "wears ugly thick flat shoes and doesn't put makeup on her face."

Connell likes athletic and good. They have an instant attraction, but she keeps it a secret because she's afraid of what her friends will think. After high school, when they are both admitted to Trinity College, the scene is reversed: Marion's body becomes creepy, glamorous, and Connell feels out of place in a waxed jacket and champagne background.

Marion's status "has elevated Connell to a wealthy-adjacent status: someone for whom birthday parties are given surprises and gorgeous works are collected from somewhere." The father of one of his new friends was "one of the people who caused the financial crisis - not metaphorically, but one of the real people involved."

They are round, always seeming to misunderstand each other at some crucial moment. At one point, Connell loses a job and can't afford to spend the summer in Dublin. He tries to tell her to stay with Marianne, but she thinks he's saying he wants to leave town.

They are breaking up. It represents the failure of his imagination and the failure of his courage, but it also suggests that freedom is not a complex quality. The solution is obvious, and it has some requirements. Why don't people give each other food, money and shelter?

Post a Comment

Previous Post Next Post