Today in this post I will share, The Heart of Darkness book summary and review. "Heart of Darkness" or translation "Heart of Darkness" is a novel by Joseph Conrad, which tells the story of Croman Marlowe. During the trip, Marlowe was fascinated by the work of Kurz, a salesman at the ivory business. Touching on different themes like colonialism, racism, barbarism, civilization and many more, this book explores the underlying and underlying dark side of man.

The Heart of Darkness was ranked 67th in 1998 on the editorial panel of the Top 100 English Novels in Modern Libraries. This book is also one of the canons of western literature. In 1979, Francis Coppola made a film, Apocalypse Now, based on the novel.

The Heart of Darkness book


The Heart of Darkness book summary :

After boarding Nellie at Gravesand-on-Thames, Charles Marlowe tells the rest of the crew what happened to him after he was appointed captain of the River Steamer by the Ivory Trading Company. He first described his journey by boat in a trading post through the desert. Railways are being built on the way from the ship to the trading post. He found that the situation there was very bad, the schedule was chaotic, the equipment was old and the blasts were often misused for the fort.

There are some black people who are chained, chained together and depressed. In his view, these people may have to work until death. There was also an educated local (black) wearing a uniform who followed with a rifle. He met with the company's chief accountant at the trading post, and the accountant referred to him as "first-class" salesman, Cartz, who was in charge of an important trading post; Others add more.

With the caravan, Marlowe leaves the trading post and crosses the desert to another trading post. This trading post more about the steamship he is going to command. While there, he learned that his steamboat had crashed two days earlier. The manager of this trading post explained to them why they had sailed without permission before he arrived: Kurz was ill, and his most important trading post was in critical condition, so they had to sail ahead of time.

The trading post provided supplies and picked up Kurz who was ill. Marlowe felt that the people in this trading post were the ones who were pointing others at them. Marlowe called the ivory sellers "pilgrims"; Jealous of others, striving for higher positions for profit. However, they have not taken real steps to express themselves, and will only continue to do some useless and inefficient work, just waiting and not willing to take risks.

Marlowe became impatient after rescuing his boat and took several months to repair it. He has learned over the months that Kurz is not only a respected person, but also a person of lesser hatred. One reason he held an important position, and another because, according to people in the trading post, Kurz relied on connections to ascend to higher positions.

After repairing the ship, Marlowe resumed its internal voyage, the destination being Kurz's internal trading post, with the manager of the trading post, three or four "pilgrims" and a crew of twenty or more invited "cannibals".

After dark they rested by stopping the boat about eight kilometers away from the indoor trading post. The next morning, a thick white mist covered them, and there was a noise from the coast: first a very loud shout, then an annoying sound. They start the journey again, and after a few hours of traveling, they begin to lose track of the trading post. At this point, the locals on the shore began to shoot arrows at the steamship. Pilgrims on board fired back with Winchester rifles.

Rao, the "man-eater" in Helm, dropped off his post and fired Martini-Henry rifles at locals on the shore. Marlowe took the wheel to avoid the steamboat hitting the stumps. The former Hellsman's "man-eater" was quickly stabbed with a spear and landed next to Marlowe. The tribals on the shore stopped shooting arrows after whistling at Malolo. Marlo, a "man-eater" stabbed with a spear, died in front of a "pilgrim".

He forced the "pilgrim" to take off his helmet so that he could take off his shoes and socks soaked in the blood of the "man-eater". Marlowe then thought Kurz was dead, and further, he discovered that Kurz wrote an eloquent report for the International Society for the Suppression of Savage Customs. The report ends with a footnote that was apparently added later; "Destroy all creatures!"

(Kurz later asked Marlowe to keep the report, which he called a "booklet") Marlowe thought it should not be ruined when it comes to human life. Find Kurz. After putting on a pair of slippers, Marlowe returned to the wheelhouse and started again. The manager approached him and asked him to turn his bow and return to the current. At this point, they saw the internal trading post.

Marlowe saw someone on the shore gesturing to them to come ashore. The guy is covered in patches and smiling, Marlowe thinks he's a clown. The "Pilgrims", fully armed, took the manager ashore to pick up Kurz. And the "clown" got on their boat. It was then that Marlowe discovered that he was a Russian Trump who had accidentally entered Kurz's camp.

He learned from the Russians how desperate Kurz was in the region, how much the locals loved him, and how sick he was. The Russians also admired Kurz, feeling that his intelligence was too much and agreed with his views on love, life, and justice. The Russians also admired him because he had so much power - and was willing to use it. Marlowe thought Kurz had gone mad.

The Heart of Darkness book review :

Still at the top of the list of the 100 best novels in the world, Joseph Conrad's haunting "Heart of Darkness" adapters continue to fascinate, enigmatic and fascinate. Although Francis Ford Coppola starred in the 1979 award-winning film "Apocalypse Now," starring Marlon Brando, arguably,

the most imaginative - Conrad's brooding and taking the obscure Congo story to Vietnam - the 1902 novel inspired Carloff's previous films in 1958 (1958). John Malkovich). "Heart of Darkness" has been turned into a radio drama, a piece of theater, and even an opera. But a graphic novel, a comic book?

Why not? As the painter and cartoonist Peter Cooper might say. He had already taken on the adaptations of Franz Kafka and Upton Sinclair, and in his introduction, which he called "The Art of Darkness", he read a lot about the book and showed his work to scholars.

He even observed a three-part structure after the novel was first published in 1889 as a three-part magazine series. Darkness called "K" a bloody racist "and insisted on removing it from the school curriculum.

Proponents of her case have been working to make the actual transcript of this statement available online. They also say that Achebe ignored Marlowe's complex and concise position. As he sat on the board of The Nellie in London, he told his ship's crew that he had gone upstairs to express disbelief or frustration at drawing with the bright master ivory merchant, Cartz, then seriously ill, Marlowe, with sharp geometric facial lines.

Undoubtedly about this cruelty. And the greed of the company he worked for, and sympathetic to the Africans-chained, sick, dead, dead. In Cooper's adaptation, they are seen in close-up on a gray ink-washing panel, peeking out of a panicked, steamy dark forest.

Cooper acknowledges the "confusing and confusing" aspects of Conrad's book - the European sense of superiority, the stereotyped Congo primitive, but he also notes similarities with some of today's attitudes. In a contemporary agreement, he even signed a non-publishing agreement with Marlowe, an African trading company. Marlowe tells his story to his shipmates on the Nellie board, one of whom, in Cooper's cunning move, is like Conrad.

Cooper also puts the framing device of Conrad's narrative in the narrative, Marlowe is introduced by an unknown first-person perspective who is clearly interested in what Marlowe wants to say, while another sailor cries out that they are "lucky" to hear again about Marlowe's "involuntary experience." . " Decisive? When Kurtz finally cries and cries, the "disgusting stupidity", the "fascination of disgust", the inferiority complex, the "terrible, the horrible", the white letters in black?

No, it's not Joseph Conrad's "Heart of Darkness," with its stunning imagery and Rococo rhyme, although Cooper quotes liberally from the text. But it's a prompt to read or re-read Conrad. "More than ever," Cooper wrote, "we need an industry that engages in social discourse." Cooper is clearly more of a painter than a cartoonist here, especially at the beginning and end pages of his book where the strokes of a white and gray flaked brush stroke a black snake in a river.

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